A wide coverage angle of 120° and an outstanding resistance to feedback make it easy to position POLAR 12 in any venue. It can even be placed directly behind the performer, meaning no separate stage monitors are required. POLAR can be set up without the spacer for even more flexible positioning options, e.g. on high stages.

While POLAR 10 suits all typical applications for column systems well, POLAR 12 excels in situations where high-powered bass is needed for continuous operation over longer periods of time. Featuring a larger cabinet and a 12″ woofer, POLAR 12 delivers the extra helping of low end that bass enthusiasts love so much. This makes it an excellent choice for DJs who have to pump out a big bass sound throughout the gig. In contrast to the usual bass boosting with electronic filters, the powerful bass of POLAR 12 is produced physically by the long-excursion woofer in an acoustically optimized, wooden cabinet. That’s why POLAR 12’s bass delivers higher sound pressure and headroom even when levels spike, keeping the mid and high frequencies in perfect balance at high volumes.

The onboard 4-channel mixing console offers two mic/line channels, a dedicated instrument channel, e.g. for acoustic guitar, and an Aux channel for music players, as well as Bluetooth 5.0 Audio Streaming options. Users’ favorite POLAR 12 settings can be stored in five individual user presets.

The new E.A.S. connection system makes cables obsolete and guarantees easy setup, while ensuring POLAR 12 sits securely and stably in any location, and the included gig bag for the columnar elements and a cover for the subwoofer make handling even easier.